Jerome, Arizona needs an art museum that would introduce its numerous visitors to the marvelous art created here by painters, sculptors, photographers, jewelers, potters, etc. during its four major eras: mining days 1876-1953; ghost town years (1950-1960); restoration (1970-2000); contemporary Jerome (2000-present). Many artists, such as Lew Davis and Roger Holt, are nationally acclaimed.
Oil painting by Roger Holt depicting Jerome in its ‘ghost town’ era.
The town of Jerome owns some art created by Jerome artists and it hangs in some of the town offices, meeting rooms and libraries. The Jerome Mine Museum on Main Street has a small collection of very fine oil paintings depicting mining days. The Jerome Historical Society archives has a considerable photography collection, only a very small portion of which has been printed and is on display. The Jerome State Historic Park has a small collection of photos and paintings. Some of that art owned by these entities is museum quality and should be protected and displayed in one location.
Sadly, however, much of the great art created in Jerome AZ before 1990 is gone—to families of artists that have died, to museums, and to visitors and residents of Jerome and the Verde Valley who had the good sense to buy it.
Three shows that occurred in Jerome within the last fifty years gave residents and visitors glimpses of the greatness of artists that once lived in Jerome.
Lew Davis: The Dean Arizona Artists
During the nineteen seventies, the Verde Valley Art Association in Jerome AZ sponsored a show of the art of Lew Davis, dean of Arizona artists, who grew up in Jerome during its mining days. The show included one of his most famous pieces, “Morning at the Little Daisy.” VVAA Director and musician Pat Jacobson and Arts Coordinator and jeweler Susan Dowling went to Phoenix in Pat’s pickup truck and borrowed all of Davis’ paintings from museums and collectors.
“Morning at the Little Daisy,” by Lew Davis, owned by the Phoenix Art Museum. Davis grew up in Jerome, not wanting to admit to wanting to be an artist in a community of miners. After he moved out of Jerome, Davis painted a series of paintings depicting life in Jerome.
Other VVAA art shows featured the work of Arcosanti visionary Paolo Soleri and nationally renowned Verde Valley sculptor John Waddell.
The VVAA shows of Arizona artists and Jerome artists’ studio tours helped place Jerome on the map as an art destination. Shows of Jerome resident artists introduced their art to visitors and gave many artists their first sales.
1999: Images of Jerome
The Jerome Historical Society sponsored an art show in 1999 called “Images of Jerome: A Centennial Retrospective: 1899–1999.” The show depicted the culture of the community during three distinct periods: mining era, ghost town years, and restoration. A collection of more than one hundred paintings, photographs, jewelry, stained glass, tiles, sculpture, and pottery were displayed that were created by artists and artisans that lived in Jerome. The art was of excellent quality.
“Miner Pushing Ore Cart” by William D. White. This painting was the poster cover for
“Images of Jerome” exhibition in 1999. The painting was part of a series commissioned by Phelps Dodge Corporation in the mid-1930’s depicting copper miners. After the society formed in 1953, The American Legion loaned six of White’s paintings to the Jerome Historical Society and they were eventually accessioned by them.
I produced that show on behalf of the society. It was a propitious time to remind those of us who helped rescue the town of our deep attachments here and our roots into every aspect of its culture. The art was gathered from about 150 homes, studios, and businesses in Jerome and from the society’s collection in the Mine Museum. Curators ML Lincoln and Karen Mackenzie put in more than four hundred volunteer hours. They were astonished to find homes so chock full of Jerome art that they looked like miniature art museums. “These were not wealthy people collecting art as an investment but art to treasure as you would a good friend,” ML said. “Artists traded among each other or bartered their work for carpentry or bookkeeping or another piece of art. It was all very personal.” Lincoln and Mackenzie photographed all the art that they saw in people’s homes and donated the slides to the Jerome Historical Society for their archival records.
Vincent Family Art Exhibit
In 2012, Henry Vincent, a well-known Cottonwood CPA and resident of Jerome AZ had a showing of the art his family had gathered, much of it from Jerome artists at the old Manheim Gallery in Old Town Cottonwood. It was called the Vincent Family Art Exhibit and comprised more than thirty art works that had never been on public display and were not for sale, the majority of it by Jerome artists. Henry’s father Tom and mother Frankie remodeled a home in Jerome and moved into it in 1962. He began collecting art from Jerome artists. Their three children, Ed, Maeve and Henry continued collecting it.
The show included a painting of the Vincent family home called “First Snow” by Jerome artist and resident Robert Knudson and four or five paintings by Roger Holt the celebrated American artist, Roger Holt, who had exhibited at the Metropolitan Museum of Art, Corcoran Gallery, and Carnegie Institute. Holt and his wife, Shan, arrived in 1954 and lived in Jerome until the mid-1960s. They founded the Verde Valley Artists, which morphed into the Verde Valley Art Association in 1975.
Where Could a Jerome AZ Art Museum be Located?
But where could this museum be?” I was asked whenever I mentioned my idea to people in Jerome on a recent visit. No one disputed that it was a good idea; but they did become very dubious that a museum could find a home here.
At some point, Verde Ex could explore the possibility of donating/selling/granting some or all of the old Mingus High School buildings for an art museum. It’s a logical idea: it has the reputation already as an art studio center and has adequate parking. Verde Ex needn’t displace any of its renters, many of them artists, but it could stipulate that whenever the renter gave up the space, it would become part of the new museum.
Would Verde Ex by up for selling? That would have to be explored. Could money to buy some of all of the complex for a museum be raised from donations and grants: no doubt.
But Wouldn’t It be Great
If an art museum did exist in Jerome AZ?
Wouldn’t it be great if special shows could be brought up to Jerome by artists that visited or lived here? Like Lew Davis. Or the great Edward Weston who photographed Jerome in the thirties.
An art museum could raise the funds and persuade the Corcoran Gallery in Washington D.C. to help mount an exhibit here in Jerome of some of the collection of William Andrews Clark, the man who started the first of Jerome ‘s great copper mines. Like his collection of rare laces. Or world-renowned collection of majolica pottery.
Wouldn’t it be great for Jerome artists, before they died or moved away, to donate one or two pieces to the museum, instead of it evaporating out of town, never to be seen again. I’m thinking of the great work by artist Paul Nonnast, who died a few years ago, and whose home and studio are on the market. Or stained glass artist Nancy Louden. Or the tiles and magnets of Jade and Rosie? Or some of the work of jeweler Shorty Powell, who lived here in the sixties. I’ve never seen any of his art.
Wouldn’t it be great if some of us who own some of the great art that has been created here in Jerome could leave it as a bequest to the new museum?
Wouldn’t it be great if there was one place our tourists could see the fantastic art that was created here in all eras of Jerome’s fantastic and colorful lives.
“Fall in Jerome” by Mark Hembleben, a plein air artist currently living and painting in Jerome. Hembleben has an art studio in the old Mingus Union High School. This painting would be one of my candidates for a new art museum in Jerome AZ. (www.markhemleben.com).
Wouldn’t it be great if there was one great art museum where visitors could recognize how deeply entwined art was in the history and collective identity of Jerome?