In Memorium: Barbara Mauritz of Lamb


Full Moon Skateboard Ride for Jerome AZ Daredevils 1991

The first time I even heard about them was a comment from Aaron on the story of the drag race between the Jerome chief of police and Zack (“Jerome’s Secret Indy 500”).

I asked Max, as he was holding his 3-month old baby Mykos is his lap, “Did this really happen?”  “Oh, yeah,” said Max. “We’d park one car in Clarkdale and hiked up road from Jerome with our skateboards. When I got scared, I’d sit on the skateboard and use the soles of my sneakers to slow down. That’s how come I went through so many sneakers.”

I thought it was because he was hiking so much. Among some, my nickname in Jerome was Rebecca of Sunnybrook Farms, always so optimistic and cheery, and never suspecting the oh-so-innocent looking Max of his daredevil ways, that are only now coming to light. “Well, how did you get across the cattle guard after you pass Jerome, the one that got Fern on her bike?”

“I used to stop and walk across.  The others jumped it.”

It was a lot of except for this one night. Just as I was cruising into Clarkdale on my skateboard, I saw Aaron and Zach bobbing crazily up and down, like jumping beans, and couldn’t figure out what was going on. I couldn’t stop and then found myself in the middle of a tarantula migration. Hundreds of them trying to cross the road. They were as scare as we were and were jumping on our shirts and jeans tearing at us with their pincers. They weren’t biting, just tearing at us.  We kept brushing them off and kept right on going. There wasn’t anything else to do.  as we were.”


The next day in biology class I asked my teacher about tarantula migrations and told him what we’ve seen.  I just didn’t tell give him too many details. He scoffed —‘oh you boys up there in Jerome most have been on something. There’s no such thing as a tarantula migration.

So I looked it up.  Apparently, durin Fall, male tarantulas go on a march looking for females.



Moving from Jerome AZ to Hines/Burns, Oregon

A lot of people ask me about what it is like to live in Burns/Hines, Oregon, especially after living in Jerome, AZ for thirty years. Although a piece of my heart will always be there, life here is sweet as well. Just different.

In 2008, my husband and I have moved to a community in which we know no one and had little knowledge of the ranching and logging life that dominates its history and politics.

Burns/Hines is an urban island of some 5000 people. The communities are contiguous, separated by a small cemetery. You can drive through both in 10 minutes or less, depending on how long three stoplights hang you up. Burns grew up as the ranch center; Hines was the logging community, until the mill closed in the nineties.

The city is surrounded by ten thousand square miles of wild high desert in Southeast Oregon and about 110,000 cows. The nearest big city is Bend, Oregon, 132 miles to the West; and the nearest freeway is 130 miles east, at the Idaho border.  The distance between ranches in the county is so vast and so far from Hines/Burns that there are still nine one-room schools. Our friends who have visited us always remark on the scarcity of traffic on the roads to just about anywhere.

It's big sky country here and the sunsets are lovely. Lots of empty space to roam. Photo by Hines Lights.

It’s big sky country here and the sunsets are lovely. Lots of room to roam. Photo by Hines Lights.

We live in a cottage in the middle of the city on about half an acre, with eight large pinons, a small grove of Aspens, two crab apple trees, and a lot of deer-proof flowering shrubs and perennials. We have seen as many as a dozen deer in our yard.

A bouquet of iris from my yard. They bloom in June. Photo by Diane Rapapoart

A bouquet of iris from my yard. They bloom in June. One of the ‘doubles’ was given me by one of my first tai chi students. Photo by Diane Rapaport

Just a few miles north is Radar Hill, where I used to take my dog Amanda for walks and practice tai chi. For about three months, I saw no one in these juniper and sage-strewn hills.

But one day, while matching the rhythm of tai chi’s movements with the slow shuffling of juniper branches, I sensed that someone was behind and turned to see an old cowboy on a horse. He’s in his sixties, near my age, with wrinkles woven and set into his face.

“Ya seen my cows?” he rasps through amber, chipped teeth.

My puzzlement and astonishment must have registered on my face, so he asks again, “Ya seen my cows?”

Both of tried to filter what we were looking at through lenses of what is familiar and coming up pretty empty. He was probably pondering the strange behavior of a grey-haired lady dressed in skimpy shorts waving her arms in a slow, dreamy dance. I can only imagine how he was going to describe this encounter with his buddies.

And I’m sure I didn’t know much about the life he led.

“Sorry, haven’t seen your cows,” I say, politely. He touches the brim of his hat and drifts off into the junipers.

The wake of his leave-taking was followed by the thought that since moving here, I had forged no bonds beyond pleasantries. Most of my contacts with people had, like this one, left me standing puzzled and alone.

It took me until about two years ago to begin to feel a comfortable sense of place.

I learned to understand the common vocabulary: guns, llamas, cows, calving, goats, alfalfa, pivots, cheat grass. Hunting is a major recreational activity. In the Fall, it’s common to hear, “Did you get your elk?” My neighbor is a woman who bow-hunts for cougars. My accountant wears starched shirts with rolled collars, pressed jeans with a crease that could cut and snakeskin boots. Mounted on his walls are heads of rare bighorn sheep. At one gathering, in a discussion about rattlesnakes, I announced I was opposed to shooting them. One of the men jumped on that remark. “You wouldn’t think so if you were fifty miles out of nowhere and a snakebite lamed your horse.” I said, “I’d have to agree with you about that.” In acknowledging his point of view, I had just crossed one of the divides to finding common ground.

Teaching tai chi was another. Everyone could agree about the importance of living healthier and more relaxed; my students appreciated being taught how to take care of themselves. They include a woman who raises bulls, another who raises llamas, a farmer in his fifties with creaky joints, veterans with PTSD, nurses, a potter, a woman in her eighties who arrives with a walker and another with an oxygen pack. The woman who raises bulls eases the arthritis of an elderly one with the energy work she has learned from me.

Lisa Wolf, one of my tai chi students, trains  llamas and invited me for a walk. They are lovely animals to take a walk with.

Lisa Wolf, one of my tai chi students, trains llamas and invited me for a walk. They are lovely animals to take a walk with.

Soon after I started teaching, I began attending meetings of the Writer’s Guild.  Members listened to some of my early Jerome stories and encouraged me.  I could always tell from their questions what it was they weren’t getting or when they began getting bored. One day, Myrla Dean, a former teacher here, turned to me and asked, “Who are you writing for?” I was stumped. “It’s perfectly okay to just write for yourself,” said Myrla. That broke some dam inside me and I started writing the stories that became this blog, some excerpts of which are included in my new book Home Sweet Jerome: Death and Rebirth of Arizona’s Richest Copper Mining City (due out in late April, early May). Novelist Marjorie Thelan, one of the members of the guild, took me in hand when I was floundering and came over to my house and set up the official book files on my computer. We loaded in all my notes and stories. Then she said, “You start at page one and don’t’ stop until you are finished. Don’t go back and rewrite. And I did. It took me about a year before I had something resembling a manuscript.

I love living in a paradise of birds.

Ross' geese, as far as you can see. Photo by Kelly Hazen.

Ross’ geese, as far as you can see. Photo by Kelly Hazen.

It’s very early Spring and our abundant wetlands draw hundreds of thousands of Ross’s geese, formations passing in large spiraling waves. Thousands of swans and ducks crowd waterways. Bald and golden eagles, falcons and harriers are abundant. Sandhill cranes roam the alfalfa fields. In early April, birders will gather by the thousands for the annual migratory bird festival:

A snowy white owl visited, a rare occurrence, and my friend Kelly Hazen spent about a 150 hours observing it. A wonderful video she took can be seen:

Snowy White Owl. Photo by Kelly Hazen

Snowy White Owl. Photo by Kelly Hazen

Hundreds of quail scurry across the road I live on, scattering like fall leaves when cars approach. One morning, I woke up to see a huge Goshawk devouring a quail in my yard as a few deer watched from the neighbors. Burns/Hines is the quail capitol of Oregon. My biggest treat last Spring was being taken to a lek where male sage grouse were strutting.

When not in strut, the male sage grouse looks quite ordinary and a little like a small prairie chicken.

When not in strut, the male sage grouse looks quite ordinary and a little like a small prairie chicken.

The air is exceptionally pristine, the water out of the tap tastes delicious, and noise and chem trails from jet planes are rare.

By day, birdsongs fill the air. At night, the city is so still that when the Milky Way blooms, you can hear its pulse.

I’m at rare peace with myself in ways that continue to surprise.

Honoring the Women in Jerome AZ: International Women’s Day

Anyone who has lived in Jerome for any period of time knows this to be true:  the women are strong, physically, emotionally, mentally and spiritually, accomplished at what they set out to do and passionately engaged. Many are artists that have served the town politically and are business people. A triple header combo that is hard to beat. And they’re smart. Very very smart.

Here’s an honor role of a dozen, in alphabetical order, who live or have lived in Jerome and some of their contributions.  Most moved to Jerome in the seventies and early eighties and many were, and still are, irreverent hippies!

Anne Bassett, for documenting the town through her intricately detailed illustrations and her service on the Jerome Town Council. 

Patty Bell, for singing Joni Mitchell’s song, “Pave paradise, put up a parking lot,’ in a particularly rancorous Jerome Town Council meeting

Barbara Blackburn, the wild woman who became CEO of Jerome Instrument Corporation and served on many of the town boards. She helped put together the Jerome Defense Fund to help members of our community that were arrested in 1985.

Mimi Currier, for running for US Senate in the eighties as a liberal Democrat with special interests in the arts, for her long-time service on many boards in Jerome, and for her incredible Netsuke carvings.

Nancy Driver, a wonderful fiber and leather artist, who served on many boards, and helped start the first artists’ cooperative store in Jerome.

Katie Lee, who wears her advocacy for freeing the Colorado River on her license plate (Dam Dam), and speaks eloquently and emotionally about them in her books and in her music. And for bringing a smile to everyone’s face when she streaked Jerome on her bike when she was in her eighties.

ML Lincoln, photographer and producer of the film, Wrenched, honoring the legacy of Edward Abbey and the decades of wilderness activists he helped inspire.‎

Jane Moore, for her long-time service on the town council (12 years, not all consecutively) and on many boards, with special advocacy for water rights, and her incredibly lovely ceramics and paintings.

My cousin Deni Rapp, the woodworker, for her lovely cribbage boards and wooden furniture, her courage in dealing with many physical ailments so graciously and positively, and for her service on many boards.

Ivy Stearman, one of the first women midwives in the Verde Valley (against the ire of many doctors) and founder of Nurses Network.

Sue Tillman for having the gut to start the first AIDs organization in the Verde Valley at a time when even the funeral homes wouldn’t dress someone who died of AIDS.

Sharon Watson, cofounder of Aurum Jewelry, a wonderful designer and jeweler, and long time member of the Fireman’s Auxiliary and board member of the Jerome Historical Society.

Kathleen Williamson  for her lifetime advocacy of human rights, including LGBT people, her astute legal head and her musicianship.

Okay, there are a lot more women, who have started their own business and shops, but I have to go teach tai chi right now. Post your favorites.  Make a list for your hometown. Today’s the day.

Jerome AZ: Secret Indy 500—The Drag Race Between the Camaro and the Mustang

Son Max (now 36) just told me this story. Irresistible to not post.

One of the handsomest teenage daredevils in Jerome was Zack Druen. He was notorious for rides on his skateboard on the steep streets through town and on to Clarkdale. Later he bought himself a hot blue/grey Chevy Camaro. He and our son Max were good friends and he’d often pick up Max to take him to Mingus High. Max said the Camaro was so souped up, he could hear Zack starting up his car from four blocks away.

Generic Chevy Camaro.

Generic Chevy Camaro.

For a few years during the 1990’s, Ray Cleveland was Chief of Police. His cop car was a super-powered Ford Mustang. He was not beloved. He loved the motorcycle gangs and liked to strut around as though he was one of them. And he liked to give the teenagers a hard time, and, truth be told, they needed to be given a hard time. Sadly, some were already addicted to meth and other hard drugs, although none of the kids, or the dealers, names of whom were known to Ray, were ever arrested.

About the mid-nineties, when half of the incredible unmortared stone highway below the Eagle’s Nest collapsed and had to be rebuilt, the road between Jerome and Prescott was closed for quite a few months.

Rebuilding the collapsed highway wall—a technocrat's dream.  Far from the wall to the immediate left which was hand-stacked. Photo by Bob Swanson:

Rebuilding the collapsed highway wall in Jerome—a technocrat’s dream. The wall to the immediate left  was hand-stacked and still stands, a marvelous engineering feat. Photo by Bob Swanson:

One day Ray approached Zack, “Feel like racing me over Mingus Mountain and back” Zack was in disbelief.  ‘You’ll probably arrest me if I say yes,” Zack said. He was in his late teens. “No, no,” said Ray. “Your car is the only possible contender. There won’t be any arrests.”

The drag race was on. It was Jerome’s private Indy 500 race just outside of our home town, only with no audience.

In Zack’s car jumps Max.  Anyone who has driven the 18 miles of that road knows there are many many perilous switchback curves, some with unprotected dropoffs, up to Mingus, and down to Prescott Valley and back.  During popular weekends, there is bound to be at least one accident.

The upside was that there would be no traffic, both lanes open for passing. Max said it was a neck and neck race, with some absolutely hair-raising passes by both Zack and Ray. “Were you scared, I asked Max.  “Oh yeah.”

Finish was a dead heat. No winners.

Thirty-two minutes for a total of thirty-six round trip miles. Incredible. It scares me to figure out the math.

When Ray finally moved on, rumor was that a lot of guns mysteriously disappeared from the property room and were sold by him.

As an aside: Walt said something to Alice Butcher last year about Zack ‘s daredevil ways and she rolled up her sleeve and showed him a scar from a car accident out to Sycamore Canyon.  She said, “There’s a club here of kids with Zack scars.”

OMG. I’m so glad I did not know the half of what these Jerome kids got into as teenagers.

(If anyone knows any more details about this story, please tell me.  I’ll add them in and credit you. For instance, what make/model was Zack’s Camaro. . Max couldn’t remember.)

Modern Anasazi Wall Builders of Jerome Part 3—Jane Moore

Most of this post is written by my ex-neighbor, Jane Moore. She lives two houses down from our previous home at the top of Deception Gulch. She wrote me a few emails commenting on the last two wall posts. She pointed out that she was one of the few women who built hand-stacked rock walls in Jerome. I always looked at her driveway and corral walls when I drove up to Richard’s house and assumed Chuck Runyon, her partner, built them.  I am very embarrassed to find I’m just another male chauvinist.

Here’s what Jane wrote and the photos that accompanied her emails.

“Gig Stearman [Jane’s neighbor down Gulch Road] is another absolutely fabulous wall builder, who uses rocks far larger than anyone else I know! And, perhaps you didn’t know that I’m the person who has done most of the dry stack walls on this property, with Chuck’s help with the bigger rocks.  Not too many people have ever seen them. I’m sending you a few pictures. I don’t know of too many other women who do dry stack walls!

“John Walsh is the person who I got started doing them with—he was in his eighties at the time, I worked for him doing yard work in the early eighties and was helping him rebuild his walls at Villa Contenta. (He was such a fun person to work for! I learned a lot about his life, as well.) Wall building in my yard is still something I am doing 30 years later—holding the hillside back, doing new walls and repairing old ones. Mine may not be as pretty as some of the other fabulous wall builders’ in town, but they last!

“And yes, I became a wall builder out of necessity myself. The day I signed the papers from Jill, the woman who sold me the house, was the day I was underneath the house cleaning some of her stuff out and the rock wall under there completely fell over! There were SO many old walls all over this property in various states of disrepair, that it seems it’s a never ending project! But never mind… it’s a job I enjoy, as long as my back holds out!

The walls in the corral barn are ones I did by myself when Chuck was in Nevada mining turquoise with Lee.  Photo by Jane Moore

The walls in the corral barn are ones I did by myself when Chuck was in Nevada mining turquoise with Lee. Photo by Jane Moor

“I love doing winding steps, and just funky, organic looking walls. I try to re-use good rocks, but end up having to go hunt for them a lot of times, and I really like to mix rocks—Tapeats sandstone, local limestone, flagstone, volcanic rock, etc.

Curving steps and wall. Photo by Jane Moore

Curving steps and wall, mostly done with stones from my brother’s flagstone quarry near Sedona. Photo by Jane Moore

More steps and wall. Note the lovely way Jane tied in the corner! Photo by Jane Moore.

More steps and wall. Note the lovely way Jane tied in the corner and kept the trees! Photo by Jane Moore.

“Here’s my latest project—a “pony” wall for a ramp that connects one corral to the other. It’s about halfway done. Another wall on the other side of ramp needs to be redone (the one along Richard’s driveway)

Jane's newest poy wall shows how one of these walls gets started at the bottom, with a good lean towards the hillside. Photo by Jane Moore

Jane’s newest  wall shows how one of these walls gets started, good foundation with rocks leaning in towards the hillside. Photo by Jane Moore

“When I first started building walls out of the odd shaped native rocks here, a strange feeling came over me that I had done this before (I don’t really question when that happens, I just accept!), and when the rocks just seem to fit perfectly together like a jigsaw puzzle, it goes so fast and is so much fun. With the native rocks, I like what I jokingly call “turd” rocks—long skinny ones that might only look like the size of a hand or two on the face of wall, but will go back in the wall a couple of feet. I spend a lot of time carefully fitting together other less useful rocks in as backfill, so the wall is actually quite thick, keeping in mind that backfill material and drainage is all important. I always joked that Chuck did the inside work/carpentry, and I did the outside work/”grunt” labor! I know I’ve done a hell of a lot of the pick and shovel work on this property!

“Next is a wall that’s taken 30 years to finish! Will finally be done this year, and i have been out working on it all day today.

Jane next to her latest wall. Really, really nice! Photo, courtesy Jane Moore.

Jane next to her latest wall.  ” The wall above me is the last funky old wall needing to be rebuilt from when I moved into the house. Photo, courtesy Jane Moore.

The wall to the right is mostly sandstone; wall to the left is mostly 'rubble rock,' much harder to build with because they are rough sided and sized. Photo by Jane Moore

The wall to the right is mostly sandstone; wall to the left is mostly ‘rubble rock,’ much harder to build with because the rocks are rough-sided and sized. Photo by Jane Moore

Jane is a potter and painter who has worked in Made In Jerome Pottery— since 1980.

Jane's paintings on pottery are famous and quite lovely.

Jane’s paintings on pottery are famous and quite lovely.

Like many artists that settled in Jerome in the seventies, Jane participated in town politics. Jane, Peggy Tovrea and Debbie Hall started the fireman’s auxiliary in 1976, after Phil Tovrea, one of Jerome’s renegade hippie newcomers was elected fire chief. Jane was head of Planning and Zoning in the 1980s. She was vice mayor from 1982–84, elected to the Town Council from 1998–2008 and was appointed mayor 2004–06. 

Modern Anasazi Wall Builders of Jerome, Part 2—Paul Nonnast

One of the comments from Part 1 of the wall builder stories was from Doyle Vines, a Jeroman that worked for the town of Jerome in many capacities in the eighties. Doyle wrote how much he loved the Holly Street wall.  It’s one of my favorites as well. The head of the crew that rebuilt that wall was Paul Nonnast, who is among my favorite of the modern hand-stacked build wall builders, along with Bob Hall, Richard Martin, Chuck Runyon, and my husband Walter.

The Holly Street Wall. The part built by Nonnast and the Town of Jerome is at the far   left. Photo by Bob Swanson/

The Holly Street Wall. The part built by Nonnast and the Town of Jerome is at the far left. Photo by Bob Swanson/

“I became a wall-builder of necessity,” Nonnast told me in 1990. “With the little money I came here with, I bought an old truck and 3 empty lots out the lonesome edge of town. My house was built with stones I gathered from out on Perkinsville Road, pick-axes, shovels, plumb bob, and a wheelbarrow.

Caption ‘The House on the Edge of Time’ was what Nonnast called that house. I published a story on that house ArtSpace Magazine in 1988. Photos by ML Lincoln

Caption ‘The House on the Edge of Time’ was what Nonnast called his house. I published a story on it in ArtSpace Magazine in 1988. Photos by ML Lincoln

I intercepted Jerome at the end of an era and have a perspective that I wouldn’t have if I turned up in town today. In 1975, many of us were considered bums. We struggled for a living. There were real outlaws living among us. We all tried to get along.  Everyone asked ‘how are you doing’ and cared about the answer. Today, the town bores me. All the talk is money.”

Built into the hillside,  Nonnast sometimes described his home as a ‘perforated cave’—a compact L-shaped building of three rooms: kitchen, bedroom, drafting/fabrication room. Adjacent are smaller rooms for storing tools and materials and a self-composting toilet.  The interior rooms open onto a stone terrace with round, cold pool and serve as an extension of the home’s internal spaces.   Inside and out, graceful sweeping curves, flat planes, numerous levels, angles, delicate patterning and tight joints identify Nonnast as a master stonemason.

Nonnast follows an ancient tradition of wall building among the ancient Anasazi (early Pueblo peoples of Utah and Arizona).

Some of the great walls at Chaco Canyon.

Some of the great walls at Chaco Canyon.

Paul is right at the top of my list of favorite artists, a visionary that was adept at sculpture, painting and architecture. He also was an industrial designer and designed the instrument case for Jerome Instrument Corporation’s mercury detector.

Paul Nonnast, paint on metal. Photo by ML Lincoln. I am so glad to own a few Nonnast paintings.

Paul Nonnast, paint on metal. Photo by ML Lincoln. I am so glad to own a few Nonnast paintings.

Only a few people in Jerome know that Nonnast received one of four honorable mentions in the prestigious Vietnam War Memorial Design Competition sponsored in Washington D.C. in l981. His memorial was conceived as a 22-foot cast bronze obelisk, counter-weighted and set into a fulcrum to allow motion. The obelisk was centered within a semi-circular polished granite surface textured with graceful spiral forms.

Obelisk maquette, balanced so it would sway in the wind. A smaller version was in Nonnast's home and I liked doing cloud hands with it as it swayed. Photo by ML Lincoln

Obelisk maquette, balanced so it would sway in the wind. A smaller version was in Nonnast’s home and I liked doing cloud hands with it as it swayed. Photo by ML Lincoln

His work was perfectly meticulous, even in what we might think of as ordinary objects. Once while staying at his house on a visit to Jerome, there was an old lunch box out on the dresser.  I had to look inside.  There were 12 dried maple leaves of beautiful colors arranged in an elegant pattern. That was the essence of Paul.

Paul Nonnast passed away in November 2005.

To view images of his art and rare collectibles, including the obelisk, go to